SALVADOR DIAZ

Salvador Díaz is a visual artist whose work in contemporary painting explores written language and collective memory. His artistic practice reflects critically on the role of media and language in shaping historical and emotional narratives. Through interventions on newspapers, he repositions the press as both a conceptual and compositional support, transforming its content into layers of painterly meaning.
His ongoing series, including Family Album and Panoramics, addresses collective memory, personal history, and immersive spatial experiences. These works propose new ways to reflect on the fragility of remembrance, the effects of disaster and trauma, and the construction of identity through everyday images.
Díaz’s press-paintings sustain the permanence of information, offering the possibility of revisiting events both punctually and timelessly. They measure the pulse of society through its own media, creating a dialogue between painting and journalism. This process offers space for a visual voice to emerge—a voice that reveals the fractures, omissions, and distortions within dominant systems of power. By working through fragments, wounds, and unspoken desires, Díaz articulates a visual counter-narrative that challenges exclusion and speaks from within the complexity of the contemporary world.


For more information please visit
www.diazsalvador.com 
linked below.

Salvador Díaz is a visual artist whose work in contemporary painting explores written language and collective memory. His artistic practice reflects critically on the role of media and language in shaping historical and emotional narratives. Through interventions on newspapers, he repositions the press as both a conceptual and compositional support, transforming its content into layers of painterly meaning.
His ongoing series, including Family Album and Panoramics, addresses collective memory, personal history, and immersive spatial experiences. These works propose new ways to reflect on the fragility of remembrance, the effects of disaster and trauma, and the construction of identity through everyday images.
Díaz’s press-paintings sustain the permanence of information, offering the possibility of revisiting events both punctually and timelessly. They measure the pulse of society through its own media, creating a dialogue between painting and journalism. This process offers space for a visual voice to emerge—a voice that reveals the fractures, omissions, and distortions within dominant systems of power. By working through fragments, wounds, and unspoken desires, Díaz articulates a visual counter-narrative that challenges exclusion and speaks from within the complexity of the contemporary world.


For more information please visit
www.diazsalvador.com
linked below.

Newspapers

Newsweek Last Print Issue

Basketball

The Dog and his reflection

The Emperor´s new suit

Salvador Diaz